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Les archives du Boss en CD's, brucespringsteen.net
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Phil
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MessagePosté le: Jeu 21 Sep - 09:03 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

PublicitéSupprimer les publicités ?
Le show de Houston présent en Dividi dans le coffret DARKNESS sort en CD et pour une bonne œuvre:



Bruce Springsteen & The E Street Band
Hurricane Relief: Houston '78
Untethered from the Darkness box set to benefit the MusiCares® Hurricane Relief Fund , Houston ’78 captures the final leg of the Darkness tour in all its glory, featuring seven album tracks, including the long “Prove It All Night” and “Streets of Fire”; Darkness outtakes “Fire” and “Because The Night”; prototypes of The River’s “Independence Day,” “Point Blank” and “The Ties That Bind”; “Santa Claus Is Coming To Town”; plus early favorites “The Fever” and “Saint In The City” played special for Houston, one of Bruce’s first strongholds.

 
Badlands
Streets of Fire
It's Hard To Be A Saint In The City
Darkness On The Edge Of Town
Spirit In The Night
Independence Day
The Promised Land
Prove It All Night
Racing in the Street
Thunder Road
Jungleland
The Ties That Bind
Santa Claus Is Coming To Town
The Fever
Fire
Candy's Room
Because the Night
Point Blank
She's the One
Backstreets
Rosalita (Come Out Tonight)
Born to Run
Detroit Medley
Tenth Avenue Freeze-Out
You Can't Sit Down
Quarter To Three
 
BRUCE SPRINGSTEEN RELEASES HOUSTON ‘78 TO BENEFIT MUSICARES® HURRICANE RELIEF FUND
 
Bruce Springsteen is releasing an entire 1978 show with the E Street Band in Houston, Texas. The release will benefit the MusiCares® Hurricane Relief Fund, which will aid those affected by the recent devastation in Texas as well as in Florida.
           
The Houston show originally appeared as part of the Darkness on the Edge of Town box set.  It captures the final leg of the Darkness tour, including the extended intro version of “Prove It All Night,” the rarely performed “Streets of Fire,” and Darkness outtakes “Fire" and "Because the Night.”  It also features prototypes of The River’s “Independence Day,” “Point Blank” and “The Ties That Bind.”

Houston was one of Bruce’s earliest springboards, which accounts for the presence here of early favorites “The Fever” and “It's Hard To Be A Saint in the City.”
 
Bruce, the E Street band, Sony Music and nugs.net will donate all their proceeds to the hurricane relief effort.
 
Houston ’78 is available now as MP3 and hi-res downloads including audiophile grade MQA, or as a 2 CD set. You can order it today at  http://live.brucespringsteen.net, Bruce Springsteen’s official live recording service powered by nugs.net.
 
“Fans had been asking for a stand-alone audio release of Houston ‘78 since the Darkness box set came out several years ago,” says nugs.net CEO Brad Serling. “Its release-ready availability gave us the opportunity to move quickly to support people in Texas and Florida.”
 
ABOUT MUSICARES® A friend and ally of the music community, MusiCares® was established by the Recording Academy to safeguard the health and well-being of all music people. A four-star charity and safety net in times of need, MusiCares offers confidential preventative, recovery, and emergency programs to address financial, medical, and personal health issues. Through the generosity of our donors and volunteer professionals, our dedicated team works across the country to ensure the music community has the resources and support it needs.
 
As part of our efforts, MusiCares® created a fund to support music people affected by the recent devastation of Hurricane Harvey, and we are expanding our resources to include victims of Hurricane Irma. MusiCares® is offering assistance for a wide range of needs, including basic living expenses; medical expenses; clothing, instrument, and recording equipment replacement; relocation costs; home repairs; and more. Our previous relief efforts include assistance for victims of the Gulf Coast hurricanes, the Nashville floods, and Hurricane Sandy; and MusiCares® is privileged once again to provide critical support to our music family. People seeking assistance can contact the South Regional MusiCares® office toll-free at 877.626.2748 or apply online at www.grammy.com/sites/com/files/mc_disaster_relief_app.pdf. We are truly grateful to the numerous artists, music industry professionals, and other organizations who are partnering with us to provide hope and help to those in need.
 
For more information, visit www.musicares.org, "like" MusiCares® on Facebook, and follow @MusiCares on Twitter and Instagram.
***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Sam 7 Oct - 08:17 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

Le fameux Dividi(et partiellement édité en CD) LIVE IN NY CITY était composé de 2 shows: celui du 29 juin et celui du 1er juillet. L'intégralité du show du 1er juillet 2000 est désormais dispo sur Nugs avec, entre autre, ce fameux BLOOD BROTHERS, si émouvant.


The legendary finale of the Reunion tour released in full for the first time from a new mix by Jon Altschiller. An emotional closing night at MSG beautifully blends the 1999-2000 tour core setlist with special songs for the occasion, including a solo piano “The Promise,” the tour debut of “Lost in the Flood,” “E Street Shuffle” and a poignant, show-closing “Blood Brothers” performed with a fitting new final verse.

***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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gwenrub


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MessagePosté le: Sam 7 Oct - 17:55 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

Excellent choix, Bruce en chiale sur scène lors du Blood Brothers - Nostalgie pure.
***************************************************************
paris carhaix dublin
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MessagePosté le: Mar 10 Oct - 14:09 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

gwenrub a écrit:

Excellent choix, Bruce en chiale sur scène lors du Blood Brothers - Nostalgie pure.
Le son est juste dément!


***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Lun 16 Oct - 10:52 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

Phil a écrit:

gwenrub a écrit:

Excellent choix, Bruce en chiale sur scène lors du Blood Brothers - Nostalgie pure.

Le son est juste dément!


ET avec les images, c'est encore plus fort! ENJOY!

***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Lun 30 Oct - 17:05 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

On va descendre d'1 cran s'il on en croit les rumeurs pour la prochaine sortie chez Nugs vendredi:
Les Castors Juniors en 1993: Count Basie theatre, 23 march 1993
Le tout restant bien sûr à confirmer....


***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Jeu 2 Nov - 09:40 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

Phil a écrit:

On va descendre d'1 cran s'il on en croit les rumeurs pour la prochaine sortie chez Nugs vendredi:
Les Castors Juniors en 1993: Count Basie theatre, 23 march 1993
Le tout restant bien sûr à confirmer....


La rumeur semblerait fausse; il se murmure que ce pourrait être 1 show des SEEGER SESSIONS. On saura demain.
***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Sam 4 Nov - 11:06 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

Finalement, ce n'est ni 1 show des CASTORS JUNIORS 93 ni 1 des SEEGER SESSIONS mais 1 show mythique de 1988 en Suède dont le 1er set existait en bootleg ! Le BORN IN THE USA est une des meilleurs versions jamais entendue!



Tracing Bruce Springsteen’s career arc from cult artist to superstar, theater to arena headliner, there’s a case to be made that a series of radio broadcasts on the 1978 Darkness On the Edge of Town tour played a significant role. The five home-recorded, fan-traded and oft-bootlegged concerts from The Roxy, The Agora, The Capitol Theater, The Fox and Winterland captured and ultimately spread the magic of Bruce and the E Street Band’s live show, and seemingly converted thousands to fill arenas two years later on the River tour.
Despite that rich history, there were no live broadcasts from the River tour, the Born in the U.S.A. tour or the U.S. leg of the Tunnel of Love tour. Which is why in 1988, after ten years of radio silence, the announcement that a portion of Springsteen’s July 3rd show in Stockholm would be broadcast live via satellite to the U.S. and the world was huge news for fans.
Like many among us, I tuned in that Fourth of July weekend and heard a potent 90-minute first set that wrapped with Bruce announcing plans to join the Amnesty International tour before wrapping the broadcast portion with a cover of Bob Dylan’s “Chimes Of Freedom” (later released on the EP of the same name). It was the first of hundreds of listens to follow.
Conveniently apportioned to fill a 90-minute cassette tape, the Stockholm broadcast joined the five ‘78 b-casts as the most played live Springsteen recordings most of us had. There was just one problem: as great as those 14 songs were, 20 other songs were played in Stockholm after the satellite feed came down, and short of a crummy audience tape, few of us have had a chance to hear the full show, until now.
Happily, this complete, multi-track recording validates what we all presumed: the Stockholm show was one of the best on the Tunnel tour, offering a passionate, hyper-focused first-set and–freed from the pressure of a global listening audience–a rollicking, playful second set and encore. Looking for a sign of Springsteen’s mood after the transmission ended? How about the inclusion of Gary U.S. Bonds’ ultimate party track “Quarter to Three” for the first time since 1981.
Fondness for the familiar first set is richly deserved. It starts with Bruce inviting the audience in the stadium and at home to come aboard with a wonderful “Tunnel of Love,” now followed by a horn-blasting “Boom Boom’ (with its unabashed sentiment of “I need you right now” replacing “Be True,” performed in this slot for most of the US leg). The brazen John Lee Hooker cover forms a bond of emancipation with what follows, “Adam Raised a Cain,” again propelled by the five-piece Horns of Love. Bruce hadn’t toured with a horn section since ‘77 and their presence is a critical component in the distinct sound and theatrics of ‘88 shows.
Because the broadcast was limited to 90 minutes, the first set showcased key Tunnel tracks, including a majestic “Tougher Than the Rest,” “Spare Parts,” “Brilliant Disguise” and “All That Heaven Will Allow.” Bruce also featured two killer non-album tracks: “Roulette,” unforgivably left off The River, but resuscitated to sound an alarm on the Tunnel tour; and “Seeds,” another take on the plight of working-class Americans and this time they’re pissed.
Perhaps the surprise highlight of the first set is “Born in the U.S.A.” Separated from its namesake tour and attendant misinterpretations, the song’s deep-seated anger is rekindled. Listen to Bruce’s shrieks of angst before Max’s drum crescendo, echoed later his own impassioned guitar solo. The story has grown more personal, too, as Springsteen adds new flashback lyrics after the final verse: “I just want your arms around me/I see the fire from the sky/I need your arms around me.” A stunning performance.
Set two is a totally different animal, but no less satisfying. I have often wondered how a seemingly long-forgotten song returns to the set, and there is no better example of this than the sudden reappearance of the instrumental “Paradise By the ‘C’” which opens the second set, after premiering four nights earlier in Rotterdam. What prompted its resurrection, after going unplayed since the Darkness tour? Sure, it suits the horns, but then again, there was no horn section in ‘78.
Regardless, it is a welcome showcase for Clarence and the Horns of Love, and sets the tone for a highly entertaining second set that milks the expanded band lineup and staging dynamics for all they are worth on songs like “You Can Look (But You Better Not Touch)” (which begins with a long, bit of musical teasing and showmanship often referred to as “Don’t You Touch That Thing”), “I’m A Coward” (Springsteen’s comic rewrite of Gino Washington’s ‘60s original) and a chock full o’ horns encore sequence of “Sweet Soul Music,” “Raise Your Hand,” the aforementioned “Quarter to Three,” and the inevitable last song for a show this joyous, “Twist and Shout.”
There are a few serious moments in the back half, among them the fine ‘88 arrangement of Bo Diddley’s “Who Do You Love?” into “She’s the One,” the first “Downbound Train” of the tour, and an unflinchingly earnest reading of Elvis’ “Can’t Help Falling in Love.” Interestingly, Stockholm ‘88 has a connection to Springsteen on Broadway in that the solo acoustic version of “Born to Run” that Bruce is currently performing was first played in that arrangement on the Tunnel tour, a fine take of which is captured here.
Stockholm ‘88 has always been a fan-favorite because of the simulcast. Now restored to full length and remixed from the master tapes, it rightly joins Springsteen’s other legendary radio broadcasts as one of the best concert recordings of his career and a great representation of the Tunnel of Love tour’s European edition.


Setlist:

  • 1. Tunnel of Love
    • 07:50

  • 2. Boom Boom
    • 04:06

  • 3. Adam Raised a Cain
    • 05:36

  • 4. The River
    • 07:11

  • 5. All That Heaven Will Allow
    • 07:19

  • 6. Seeds
    • 06:11

  • 7. Roulette
    • 04:30

  • 8. Cover Me
    • 07:38

  • 9. Brilliant Disguise
    • 04:59

  • 10. Tougher Than The Rest
    • 06:14

  • 11. Spare Parts
    • 07:46

  • 12. War
    • 03:02

  • 13. Born in the U.S.A.
    • 09:32

  • 14. Chimes Of Freedom
    • 06:08

  • 15. Paradise By The "C"
    • 04:04

  • 16. Who Do You Love?
    • 02:40

  • 17. She's the One
    • 07:26

  • 18. You Can Look (But You Better Not Touch)
    • 08:29

  • 19. I'm A Coward
    • 09:13

  • 20. I'm On Fire
    • 04:48

  • 21. Downbound Train
    • 04:21

  • 22. Because the Night
    • 05:32

  • 23. Dancing in the Dark
    • 06:52

  • 24. Light Of Day
    • 08:56

  • 25. Born to Run
    • 05:19

  • 26. Hungry Heart
    • 04:50

  • 27. Glory Days
    • 09:52

  • 28. Can't Help Falling In Love
    • 03:10

  • 29. Bobby Jean
    • 04:17

  • 30. Cadillac Ranch
    • 05:02

  • 31. Tenth Avenue Freeze-Out
    • 05:18

  • 32. Sweet Soul Music
    • 03:05

  • 33. Raise Your Hand
    • 08:32

  • 34. Quarter To Three
    • 05:49

  • 35. Twist and Shout
    • 09:49


***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Sam 2 Déc - 10:10 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

La première archive des SEEGER SESSIONS:

Heralded by Springsteen himself as one of his finest and most meaningful shows, Jazz Fest 2006 beautifully captures Bruce and the Seeger Sessions Band opening their tour with a cathartic performance just months after Hurricane Katrina devastated New Orleans. Playing the album’s folk and protest songs (plus a few rearranged originals) with rollicking reverence, Bruce and the band deliver an inspired set that emotionally resonates with the audience, the venue and the moment.

***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Sam 23 Déc - 09:30 (2017)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

Nouveauté qui n'en est pas vraiment une car le show existait déjà dans une excellente version bootleg mais le concert est une tuerie!
Capitol Theatre ’78
One day after the famed radio broadcast, night two of the Capitol Theater homecoming shows offers a staggering snapshot of the heart of the Darkness tour, mixed from multi-tracks by Bob Clearmountain. Bruce and the band are on fire, blazing through Darkness tracks and stretching out for “Kitty’s Back” and a rare “Incident on 57th Street” into “Rosalita,” plus “Good Rockin’ Tonight,” “Twist and Shout” and the year’s first “Santa Claus.”



Le boot de Godfatherecords:


Setlist:

Disc 1: Good Rockin’ Tonight, Badlands, Spirit In The Night, Darkness On the Edge Of Town, Independence Day, The Promised Land, Prove It All Night, It’s My Life, Thunder Road, Jungleland
Disc 2: Santa Claus Is Comin’ To Town, Fire, Candy’s Room, Because The Night, Point Blank, Kitty’s Back, Incident On 57th Street, Rosalita (Come Out Tonight)
Disc 3: Born To Run, Tenth Avenue Freeze-Out, Detroit Medley, Twist And Shout


***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Sam 6 Jan - 12:00 (2018)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

A y est, première livraison d'1 show avec les Castors Juniors en 1993 avec plein d'invités!



Past and present unite as E Street Band members and special guests drop in on Bruce and the 1992-93 band at the penultimate show of the Human Touch/Lucky Town tour. A stirring 35-song set opens with a mini acoustic set and rolls on through key tracks from both albums plus a few rarities (“Satan’s Jeweled Crown”) before wrapping with an epic, 11-song encore extravaganza featuring Southside Johnny, Joe Ely, Little Steven, Max Weinberg, Soozie Tyrell, the Miami Horns and the Big Man himself.

Mixed by Jon Altschiller and mastered at Gateway.
 
I Ain't Got No Home
Seeds
Adam Raised a Cain
This Hard Land
Better Days
Lucky Town
Atlantic City
57 Channels (And Nothin' On)
Badlands
Satan's Jewel Crown
My Hometown
Leap Of Faith
Man'S Job
Roll Of The Dice - Everybody Needs Somebody To Love
Does This Bus Stop at 82nd Street?
Because the Night
Brilliant Disguise
Human Touch
The River
Who'll Stop The Rain?
Souls Of The Departed
Living Proof
Born in the U.S.A.
Light Of Day
Settle For Love
Glory Days
Thunder Road
It's Been A Long Time
Tenth Avenue Freeze-Out
Born to Run
My Beautiful Reward
Blowin' Down This Road
Having A Party
Jersey Girl
It's All Right
***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Sam 3 Fév - 03:55 (2018)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

Retour en 2005 avec un second show exhumé des archives. La setlist est somptueuse!


Keyboards take center stage at this sublime stop on the Devils & Dust tour. The set opener, "Tunnel of Love" on electric piano, is positively magical. From there, Grand Rapids pours on passionate performances of "I Wish I Were Blind," "Racing In The Street" and "The River" on piano, plus fascinating re-workings of “Sherry Darling” and "Nothing Man" for electric piano. On guitar, rare inclusions of “Black Cowboys," "Ain’t Got You" and "Part Man, Part Monkey," plus the tour debut of "Saint In The City."





  • SET ONE

[*]1. http://assets.nugs.edgesuite.net/clips2/bs050803d1_01_Tunnel_of_Love_c.mp3 Tunnel of Love
  • 04:39

[*]2. http://assets.nugs.edgesuite.net/clips2/bs050803d1_02_Reason_To_Believe_c.m… Reason To Believe
  • 06:05

[*]3. http://assets.nugs.edgesuite.net/clips2/bs050803d1_03_Devils__Dust_c.mp3 Devils & Dust
  • 05:37

[*]4. http://assets.nugs.edgesuite.net/clips2/bs050803d1_04_Black_Cowboys_c.mp3 Black Cowboys
  • 04:02

[*]5. http://assets.nugs.edgesuite.net/clips2/bs050803d1_05_Long_Time_Comin_c.mp3 Long Time Comin'
  • 05:04

[*]6. http://assets.nugs.edgesuite.net/clips2/bs050803d1_06_Sherry_Darling_c.mp3 Sherry Darling
  • 04:09

[*]7. http://assets.nugs.edgesuite.net/clips2/bs050803d1_07_The_River_c.mp3 The River
  • 08:44

[*]8. http://assets.nugs.edgesuite.net/clips2/bs050803d1_08_Part_Man_Part_Monkey_… Part Man, Part Monkey
  • 02:58

[*]9. http://assets.nugs.edgesuite.net/clips2/bs050803d1_09_Cynthia_c.mp3 Cynthia
  • 05:18

[*]10. http://assets.nugs.edgesuite.net/clips2/bs050803d1_10_One_Step_Up_c.mp3 One Step Up
  • 04:46

[*]11. http://assets.nugs.edgesuite.net/clips2/bs050803d1_11_Reno_c.mp3 Reno
  • 05:25

[*]12. http://assets.nugs.edgesuite.net/clips2/bs050803d1_12_Nothing_Man_c.mp3 Nothing Man
  • 05:50

[*]13. http://assets.nugs.edgesuite.net/clips2/bs050803d1_13_I_Wish_I_Were_Blind_c… I Wish I Were Blind
  • 04:04

[*]14. http://assets.nugs.edgesuite.net/clips2/bs050803d1_14_Racing_in_the_Street_… Racing in the Street
  • 06:24

[*]15. http://assets.nugs.edgesuite.net/clips2/bs050803d2_01_The_Rising_c.mp3 The Rising
  • 05:34

[*]16. http://assets.nugs.edgesuite.net/clips2/bs050803d2_02_Further_On_Up_the_Roa… Further On (Up the Road)
  • 07:27

[*]17. http://assets.nugs.edgesuite.net/clips2/bs050803d2_03_Jesus_Was_An_Only_Son… Jesus Was An Only Son
  • 04:50

[*]18. http://assets.nugs.edgesuite.net/clips2/bs050803d2_04_Two_Hearts_c.mp3 Two Hearts
  • 05:32

[*]19. http://assets.nugs.edgesuite.net/clips2/bs050803d2_05_The_Hitter_c.mp3 The Hitter
  • 06:45

[*]20. http://assets.nugs.edgesuite.net/clips2/bs050803d2_06_Matamoros_Banks_c.mp3 Matamoros Banks
  • 07:17

[*]ENCORE
[*]1. http://assets.nugs.edgesuite.net/clips2/bs050803d2_07_Its_Hard_To_Be_A_Sain… It's Hard To Be A Saint In The City
  • 03:11

[*]2. http://assets.nugs.edgesuite.net/clips2/bs050803d2_08_Aint_Got_You_c.mp3 Ain't Got You
  • 03:12

[*]3. http://assets.nugs.edgesuite.net/clips2/bs050803d2_09_Bobby_Jean_c.mp3 Bobby Jean
  • 03:56

[*]4. http://assets.nugs.edgesuite.net/clips2/bs050803d2_10_The_Promised_Land_c.m… The Promised Land
  • 08:38

[*]5. http://assets.nugs.edgesuite.net/clips2/bs050803d2_11_Dream_Baby_Dream_c.mp… Dream Baby Dream
  • 08:49

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"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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Phil
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MessagePosté le: Ven 2 Mar - 20:00 (2018)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant



BRUCE SPRINGSTEEN AND THE E STREET BAND: NEW JERSEY ‘84
Nearly three years ago, Bruce Springsteen’s archival download series delivered a previously un-bootlegged gem: Brendan Byrne Arena, August 5, 1984, the first high-quality Born in the U.S.A. tour soundboard from multi-tracks and opening night of the ten-show New Jersey homecoming run. Now, the stunning complement arrives, August 20, 1984, final night of the Brendan Byrne stand.
Featuring memorable guest appearances by Stevie Van Zandt and the Miami Horns, 8/20/84 is justifiably regarded as one of the best shows of the tour and earns a place on the short list of Bruce’s most celebrated shows of all time as much because of what it represented as the music performed. 


Mixed by Jon Altschiller and mastered at Gateway.
 
SET ONE
BORN IN THE USA
OUT IN THE STREET
SPIRIT IN THE NIGHT
ATLANTIC CITY
JOHNNY 99
HIGHWAY PATROLMAN
I'M GOIN' DOWN
DARLINGTON COUNTY
GLORY DAYS
THE PROMISED LAND
MY HOMETOWN
DARKNESS ON THE EDGE OF TOWN
BADLANDS
THUNDER ROAD

SET TWO
HUNGRY HEART
DANCING IN THE DARK
CADILLAC RANCH
TENTH AVENUE FREEZE-OUT
NO SURRENDER
COVER ME
PROVE IT ALL NIGHT
PINK CADILLAC
GROWIN' UP
BOBBY JEAN
BACKSTREETS
ROSALITA (COME OUT TONIGHT

ENCORE
JUNGLELAND
TWO HEARTS
DRIFT AWAY
BORN TO RUN
DETROIT MEDLEY
TWIST AND SHOUT - DO YOU LOVE ME
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"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Ven 6 Avr - 19:49 (2018)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

C'est, si je ne m'abuse, le 1er show extrait du MAGIC-Tour. Et en sus, c'est le dernier concert de Danny.


The last U.S. tour stop of 2007 would prove to be Danny Federici’s final show as a full-time member of the E Street Band. Boston ’07 is a fitting farewell to Phantom Dan and catches Bruce and the band firing on all cylinders at the height of the Magic tour. Rich with core album tracks including “Radio Nowhere,” “Gypsy Biker,” “Livin’ In The Future” and “Girls In Their Summer Clothes,” Boston also features the tour debuts of “This Hard Land” and “Tenth Avenue Freeze-Out” with Peter Wolf.


Radio Nowhere
Night
Lonesome Day
Gypsy Biker
Magic
Reason To Believe
Darkness On The Edge Of Town
Candy's Room
She's the One
Livin' In The Future
This Hard Land
4th of July, Asbury Park (Sandy)
The E Street Shuffle
Working On The Highway
Devil's Arcade
The Rising
Last To Die
Long Walk Home
Badlands
Girls In Their Summer Clothes
Tenth Avenue Freeze-Out
Kitty's Back
Born to Run
American Land

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"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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Féminin Capricorne (22déc-19jan)

MessagePosté le: Ven 4 Mai - 17:20 (2018)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

Bruce Springsteen
19 min · 







This memorable homecoming stop on the Joad tour sees Springsteen return to Freehold and his parochial school, St. Rose of Lima. Joined by special guests Patti Scialfa and Soozie Tyrell, Bruce reminisces and tears up the set list for nine tour debuts, including “The River,” “Two Hearts” “Racing in the Street,” a rare “When You’re Alone” and the only tour performances of “Open All Night,” “Used Cars” and “My Hometown.” The show wraps with “Freehold,” an uproarious paean penned for the occasion. Download now: http://2nu.gs/Bruce-Freehold96



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MessagePosté le: Ven 1 Juin - 17:49 (2018)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net Répondre en citant

La nouveauté du mois:


Bruce Springsteen and the E Street Band
Madison Square Garden, New York, NY, November 9, 2009
By Erik Flannigan
Sometime in the early 2000s, playing full albums in sequence, in concert came in vogue. For the final leg of the 2009 Working On A Dream tour, Bruce Springsteen got in on the fun, announcing that for the band’s five-show stand at Giants Stadium, they would revisit a classic album each night, drawn from Born to Run, Darkness on the Edge of Town and Born in the U.S.A., after test-driving the concept with BTR at a show in Chicago.
For fans, there’s a lot to like about a full-album performance. Hearing those songs in that order hearkens back to how many of us fell in love with the music in the first place, playing the albums over and over until we memorized every note and nuance. For Bruce and the band, it was something novel and different, too, shifting the approach to both the songs and sequencing within a concert dynamic. Case in point, “Badlands” and “Thunder Road” had evolved into key tracks used to wind down or close sets; in a full-album context they reverted to their roles as the starting point of the narrative.
In a run of a dozen or so shows starting at Giants Stadium, Springsteen rotated the three albums into his sets, one each night. In truth, many of the songs were in regular rotation anyway (acknowledging outliers like “Meeting Across the River” and “Streets of Fire”), so the new experience was hearing the songs in order, presented as a whole.
But when it was announced that Springsteen would return to Madison Square Garden and feature one-off, full-album performances of The Wild, The Innocent & the E Street Shuffle and The River, stakes were raised. Considerably.
Both albums contain songs that were not part of the regular or even extended concert repertoire, plus a few that had barely made a set list in decades. The River is also a 20-song double album, so to perform it meant devoting nearly two hours of the show to that material alone. An ambitious prospect, and one that made this an unmissable night, because The River is just as much THE album that got many of us into Springsteen as Born to Run, Darkness and BIUSA are.
The River performance at MSG holds its own today as much as it did in 2009, even given the 2016 River tour first leg which saw the album essayed every night. When Bruce and the band hit the road in January 2016 to start the new River tour in Pittsburgh, they were rehearsed and ready. In November 2009, a better operative word might be game. Firing in peak tour form, they were game to perform their most ambitious studio work as a special, one-time event. “It’s too long to do it again,” Bruce quipped at the time.
For those lucky enough to be there (myself included), the result was a marvelous, in-the-moment experience for band and audience, as rarely played songs like “Crush On You,” “Stolen Car,” “Wreck On The Highway” “Fade Away,” “I Wanna Marry You” and “The Price You Pay” roared back to life, fulfilling long-held fan desires and restating the case for The River’s place in the core canon.
It seems contradictory to feel heightened anticipation for a set where you know what 20 songs are about to be played, but there was an undeniable air of expectancy in the building as Springsteen took the stage for the opener, “Wrecking Ball,” which served to remind us Bruce had history with the building. Indeed, MSG was the site of four epic performances on the original River tour in 1980.
“We’re gonna get right to work now,” Bruce then declared, explaining The River’s place as a transitional record, moving into adult themes later explored on Nebraska and Tunnel Of Love. He also said it was also a conscious attempt to balance the dark with the light, or what Springsteen called, “the music that made our live shows so much fun and enjoyable.”
From there we were off, galloping through both ends of the emotional spectrum with equal aplomb. Stalwarts like “The Ties That Bind” and “Out In the Street” felt freshened by renewed context, while Bruce made a delightful meal out of “Crush On You,” “a hidden masterpiece” only played once since 1980. The charm of mid-tempo romantic gems like “Fade Away” and “I Wanna Marry You” resonated and left one wondering why they lay dormant for so long.
Part of the answer is the absence of Stevie Van Zandt from the two major tours that followed the album. His imprint on The River cannot be understated. Heard in the robust, up-close mix by Jon Altschiller, Van Zandt’s guitar playing (which on this night included 12-string electric) and vocals (backing harmonies and shared leads) are essential to this body of work.
For many, “Stolen Car” was the moment they had been waiting for. With Max Weinberg, Garry Tallent, Charlie Giordano and Roy Bittan in particular providing a gorgeous accompaniment, Springsteen played one of his greatest and saddest songs with heart-wrenching austerity.
The River’s high contrast is truly brought to bear in the sequence of “Stolen Car” into the hydraulic pounding of “Ramrod” followed by the exhilarating declaration of “The Price You Pay,” the latter another high point in the show. For its final act, The River winds down through the slow rising crescendo of devotion pledged in “Drive All Night” and, lastly, the stark humanity of “Wreck on the Highway.” On the 2016 tour, “Wreck” was given a more lush and full-bodied arrangement, ending the album sequence on a different note. The 2009 edition retains more of the somber majesty of the original and serves as a plaintive coda to the overall River story.
When Bruce gathered “the guys that recorded the record” and shouted out their missing comrade, Danny Federici, everyone in the room, be it on stage or off, recognized that this reading of The River was a audacious achievement. Nine years on, it still is.
Setlist:
Wrecking Ball (with Curt Ramm)
The Ties That Bind
Sherry Darling
Jackson Cage
Two Hearts
Independence Day
Hungry Heart
Out in the Street
Crush on You
You Can Look (But You Better Not Touch)
I Wanna Marry You
The River
Point Blank
Cadillac Ranch
I'm a Rocker (with Curt Ramm)
Fade Away
Stolen Car
Ramrod
The Price You Pay
Drive All Night
Wreck on the Highway
Waitin' on a Sunny Day
Atlantic City
Badlands
Born to Run
Seven Nights to Rock
* * *
Sweet Soul Music (with Curt Ramm)
No Surrender
American Land (with Curt Ramm)
Dancing in the Dark
Can't Help Falling in Love
Higher and Higher



A noter que ce show était déjà sorti en boot avec 1 son magnifique chez Crystal Cat(la chopette est plus réussie que l'officielle!)




***************************************************************
"I just wanna say to the E Street Band: stay strong, remain emotionally open, stand together, and know that your millions of fans love you, and will always be grateful for what you’ve given us, whatever the future holds. I love you". SCOTT KEMPNER.
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MessagePosté le: Aujourd’hui à 16:59 (2018)    Sujet du message: Les archives du Boss en CD's, brucespringsteen.net

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